Ghana-based Afro Dancehall artiste, Field Marshall Music, drops a debut body of work, a 6-track EP titled “Eleven11”, a project crafted for impact.
For a very long time, the Dancehall Fraternity has longed for the full rollout of Field Marshall’s body of work, which has been like forever to release until now.
Ghana’s evolving Afro Dancehall landscape continues to produce distinctive voices, and Field Marshall Music, born Abubhakar Ibn Sawyer, is positioning himself firmly within that conversation. The Tema-based musician has officially announced the release of his upcoming extended play titled Eleven11, scheduled for April 26, 2026. The project will be distributed across all major digital streaming platforms, including Apple Music, Spotify, Audiomack, Boomplay, TikTok, Shazam, Tidal, and other global outlets.
Streaming Link: https://distrokid.com/hyperfollow/fieldmarshall/eleven-11
Eleven11 is a 6-track body of work arranged in a deliberate numeric sequence that reflects both structure and creative intent. The tracklist includes ‘Bra’, ‘Dem’, ‘Abusua Nti’, ‘Happiness’, ‘Preman Sem’, and ‘Vibe’. Each record contributes to a cohesive sonic narrative rooted in Afro Dancehall rhythms while exploring themes of resilience, identity, and everyday realities. The sequencing is intentional, offering listeners a progressive listening experience rather than a disconnected compilation.
The entire project is powered and produced by TubhaniMuzik, a recognized household name within Ghana’s music production ecosystem. His involvement introduces a polished yet energetic sound profile that aligns with Field Marshall Music’s vocal delivery and stylistic direction. The synergy between artist and producer is evident across the project, with a balance of commercial appeal and authentic storytelling.

About The EP, Track List – The Breakdown:
“Bra” – this track serves a hardcore yet commercial tint served by Field Marshall, a ‘never-heard’ side of him since he entered the game. This unique style he admonishes best fits recent trends; the new generation of artistes and music consumers would call ‘Dancehall Trap’ style. A strategic style he fuses to prove his versatility and also sync with the Gen Zs and the new streaming market.
“Dem” – a cocktail of Hip-Hop and Hiplife style with an urban flair. “Best toast song for the ‘bad girls’ outta road, the go-go gyal dem”, he says. A multi-lingual jam that serves Twi, Jamaican Patois, and a bit of American slang. His lyrics cut across different tribal markets with the fusion of words (meal options) from multi-tribal cuisine choices.
“Happiness” – the ones nurturing their broken heart also have a thing in there for them. This song is a therapeutic tease for people who have tried their best in love and still come up short. Beyond love, the song is also a tease for football and betting fans who have had no luck with their teams, predictions, and foiled betting goals. With the next Champions League (Finals) and World Cup 2026 approaching, this comes across as a good teaser song for anyone who would be missing out on respective match wins.
“Preman Sem” – money is power, money is happiness, and money is freedom too, on many levels. When you have money, it also puts respect on your status and eases leveraging, too. But sometimes you just don’t have enough, and sometimes there are pressures from society as to how they would want you to spend your money; to some extent, they’d even want to make choices for you based on your money. This song addresses the many issues that come with spending money.
“Vibe” – a real and true Dancehall singjay never forgets his roots, just like the way a soldier never forgets his training and sh00ting abilities anytime he’s called to a mission. Field Marshall drops this song to show and prove his prowess in the genre he best identifies with. He blends an uptempo beat of sonics produced by Tubhani Muizk with some sweet melodies that can fit into the party sessions.
“Abusua Nti” – family problems are everywhere. Not even Field Marshall could escape the endless responsibilities of family pressures. In this song, he recounts and encourages himself in the Twi parlance how he needs to live a calculated lifestyle to secure his future amidst the family troubles. A caution song he does for the (ghetto) youths in the struggle, so they don’t forget their purpose and create an enabling future for themselves.
Visually, the project is elevated by the creative direction of Homebaze Graffix, a design brand known for delivering compelling artwork within and beyond Ghana. Their contribution reinforces the branding and aesthetic identity of ‘Eleven11’, positioning it competitively within the digital marketplace.
Field Marshall Music has built a reputation for consistency and industry alignment, having previously collaborated and moved within circles that include Ghanaian heavyweight Shatta Wale and other notable music figures. This track record signals both credibility and growth, attributes that are now being consolidated through this latest release.
With ‘Eleven11’, Field Marshall Music presents what can be considered his most focused and refined project since entering the Ghanaian music scene. The EP is expected to resonate with both core fans and new listeners seeking authentic Afro Dancehall expression.
For updates and engagement, audiences can follow Field Marshall Music via @FieldMarshallMusic across all major social media platforms. The rollout strategy for the EP is expected to include targeted digital campaigns, media appearances, and performance engagements to amplify reach across international markets and strengthen its global footprint.
Streaming Link: https://distrokid.com/hyperfollow/fieldmarshall/eleven-11
